Over millennia
Dendrochronological evidence for long-distance timber trading in the Roman Empire
Mauro Bernabei et al.
PLoS ONE, December 2019
Abstract:
An important question for our understanding of Roman history is how the Empire’s economy was structured, and how long-distance trading within and between its provinces was organised and achieved. Moreover, it is still unclear whether large construction timbers, for use in Italy, came from the widespread temperate forests north of the Alps and were then transported to the sparsely-wooded Mediterranean region in the south. Here, we present dendrochronological results from the archaeological excavation of an expensively decorated portico in the centre of Rome. The oak trees (Quercus sp.), providing twenty-four well-preserved planks in waterlogged ground, had been felled between 40 and 60 CE in the Jura Mountains of north-eastern France. It is most likely that the wood was transported to the Eternal City on the Saône and Rhône rivers and then across the Mediterranean Sea. This rare dendrochronological evidence from the capital of the Roman Empire gives fresh impetus to the ongoing debate on the likelihood of transporting timber over long distances within and between Roman provinces. This study reconstructs the administrative and logistic efforts required to transport high-quality construction timber from central Europe to Rome. It also highlights an advanced network of trade, and emphasises the enormous value of oak wood in Roman times.
Ancient coin designs encoded increasing amounts of economic information over centuries
Barbara Pavlek, James Winters & Olivier Morin
Journal of Anthropological Archaeology, forthcoming
Abstract:
Coinage, the practice of minting small bits of metal with distinctive marks, appearing in the second half of the 7th century BCE, had a transformative impact upon ancient economies and societies. Controversies endure concerning the original function of ancient coinage, in particular the respective role of states and markets in its emergence. Applying information-theoretic measures to a corpus of 6859 distinct coin types from the Ancient Mediterranean world, dated between c. 625 and c. 31 BCE, we show that the symbols minted on coins (designs combining images of plants, deities, animals, etc.) became increasingly informative about a coin’s value. This trend was specific to value-relevant information, as distinct from information concerning issuing states. Coin designs also carried more information about higher denominations than about lower ones. Before numerical or written marks of value became widely used on coinage, these iconic symbols were carrying economic information.
Earliest hunting scene in prehistoric art
Maxime Aubert et al.
Nature, forthcoming
Abstract:
Humans seem to have an adaptive predisposition for inventing, telling and consuming stories. Prehistoric cave art provides the most direct insight that we have into the earliest storytelling, in the form of narrative compositions or ‘scenes’ that feature clear figurative depictions of sets of figures in spatial proximity to each other, and from which one can infer actions taking place among the figures. The Upper Palaeolithic cave art of Europe hosts the oldest previously known images of humans and animals interacting in recognizable scenes, and of therianthropes — abstract beings that combine qualities of both people and animals, and which arguably communicated narrative fiction of some kind (folklore, religious myths, spiritual beliefs and so on). In this record of creative expression (spanning from about 40 thousand years ago (ka) until the beginning of the Holocene epoch at around 10 ka), scenes in cave art are generally rare and chronologically late (dating to about 21–14 ka), and clear representations of therianthropes are uncommon — the oldest such image is a carved figurine from Germany of a human with a feline head (dated to about 40–39 ka). Here we describe an elaborate rock art panel from the limestone cave of Leang Bulu’ Sipong 4 (Sulawesi, Indonesia) that portrays several figures that appear to represent therianthropes hunting wild pigs and dwarf bovids; this painting has been dated to at least 43.9 ka on the basis of uranium-series analysis of overlying speleothems. This hunting scene is — to our knowledge — currently the oldest pictorial record of storytelling and the earliest figurative artwork in the world.
Inbreeding, Allee effects and stochasticity might be sufficient to account for Neanderthal extinction
Krist Vaesen et al.
PLoS ONE, November 2019
Abstract:
The replacement of Neanderthals by Anatomically Modern Humans has typically been attributed to environmental pressure or a superiority of modern humans with respect to competition for resources. Here we present two independent models that suggest that no such heatedly debated factors might be needed to account for the demise of Neanderthals. Starting from the observation that Neanderthal populations already were small before the arrival of modern humans, the models implement three factors that conservation biology identifies as critical for a small population’s persistence, namely inbreeding, Allee effects and stochasticity. Our results indicate that the disappearance of Neanderthals might have resided in the smallness of their population(s) alone: even if they had been identical to modern humans in their cognitive, social and cultural traits, and even in the absence of inter-specific competition, Neanderthals faced a considerable risk of extinction. Furthermore, we suggest that if modern humans contributed to the demise of Neanderthals, that contribution might have had nothing to do with resource competition, but rather with how the incoming populations geographically restructured the resident populations, in a way that reinforced Allee effects, and the effects of inbreeding and stochasticity.